Donna J. Haraway () is a Distinguished Professor Emerita in the History of Simians, Cyborgs, and Women, , Log, PDF. Tracing the gendered roots of science in culture, Donna Haraway's writings Simians, cyborgs, and women: the reinvention of nature I by Donna J. Haraway. Donna Haraway, "A Cyborg Manifesto: Science, Technology, and Socialist-. Feminism in the Late Twentieth Century," in Simians, Cyborgs and Women: The.

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Excerpts from award winning feminist scholar ​Donna Haraway's work ​A Cyborg Manifesto [chapter 4 specifically]. From what I can tell, this entire book is. Anthropocene, Capitalocene, Plantationocene,. Chthulucene: Making Kin. Donna Haraway. History of Consciousness, University of California, Santa Cruz, USA. Situated Knowledges: The Science Question in Feminism and the Privilege of Partial. Perspective. Author(s): Donna Haraway. Source: Feminist Studies, Vol.


At a more philosophical level, 2 it also represented a challenge to the dualistic ontologies and dominant meta-narratives in the Western patriarchal tradition upon which much feminist thought depended.

Like many of the concepts and figures that populate her subsequent writing, i. Both an insider and an outsider, Haraway engages science from within the humanities, feminism within science, and both poststructuralism and science studies within feminism.


Her relationship to her disciplinary influences is eccentric, and her work is more trans- than interdisciplinary. As she admits, hers is a risky venture.

Indeed, her willingness to fuse disciplinary boundaries, and to focus not only on the dangers of technoscientific culture, but also its pleasures and possibilities, has led at times to hostile receptions of her work within both feminist and the social and biological communities.

Among her intellectual resources are post structuralism, science studies, Marxism, Darwinism, microbiology, anthropology, and feminist science fiction, to name the most salient. From her perspective binary thinking limits our sense of the possible, erasing differences within categories and the ways in which they 3 depend upon but exceed them.


Her delight in fusing contradictory terms transgresses the boundaries of thought, queers the terms, in an effort to make visible patterns of difference that otherwise remain unseen. Ever attentive to radical otherness--to the alien, Haraway exhibits her concern for myriad life forms—the hidden, the misfit, the monster, the unthinkable and impossible.

Among the panoply of promising queer figures that she introduces is the genetically engineered research animal OncoMouse TM, the feminist technoscientist, ModestWitness Second Millenium, the Navajo coyote, the dog, and companion species—each represented as a hybrid assemblage of natureculture. To be sure, the cyborg is not an innocent figure, connected as it is to the history of militarism, the Cold War, the space race, and the rise of the Internet.

Still, millennial feminists interested in science studies, information technologies, and animal studies as well as queer theory have been very receptive to the possibilities of continuing to work with the cyborg figure in new ways.

In the end there are no pure identities or locations. The resources available for critique must inevitably originate in the worlds we inhabit. Human, machine, animal—each can co-constitute the other another in the numerous intra-actions that make up material-semiotic worlds. Each responds, or reacts, to the other; each is implicated in the other. Rather than rely upon progressive, messianic, or apocalyptic narratives and tropes that have governed 4 Western thinking for two millennia, Haraway subverts them.

Moreover, in her texts time and space are queered as well.

Situations, locations, concepts, practices, serve as nodes within many networks, transfer points for multiple genealogies, and multiple and criss-crossing patterns of relationship.

Yet, Haraway asserts, although credible witnesses cannot ground matters of fact, they can sometimes stabilize them. Drawn to its metaphor of surfaces and depths, she finds it useful insofar as it captures the fact that a perspective on any given system of power relations can shift depending upon its location.

Haraway also shares standpoint theorists project to enhance freedom. Yet her project is neither universalist nor emancipatory. The standpoint of the oppressed, even when understood as a historical achievement, she observes, does not represent the interests of all.

Tentacular Thinking: Anthropocene, Capitalocene, Chthulucene

Although she does adopt an oppositional relationship to capitalist technoscience, her project is more constructive and activist than it is critical. Gender might not be global identity after all, even if it has profound historical breadth and depth. In this way, groups may construct a "post-modernist identity out of otherness, difference, and specificity" as a way to counter Western traditions of exclusive identification.

Updates and revisions[ edit ] Although Haraway's metaphor of the cyborg has been labelled as a post-gender statement, Haraway has clarified her stance on post-genderism in some interviews. She clarifies this distinction because post-genderism is often associated with the discourse of the utopian concept of being beyond masculinity and femininity. Haraway notes that gender constructs are still prevalent and meaningful, but are troublesome and should therefore be eliminated as categories for identity.

Haraway is aware and receptive of the different uses of her concept of the cyborg, but admits "very few people are taking what I consider all of its parts". Patchwork Girl , a hypertext work, makes use of elements from "A Cyborg Manifesto".

Patchwork Girl's "thematic focus on the connections between monstrosity, subjectivity, and new reproductive technologies is apparent from its very first page, when readers, or users, open the hypertext to find a picture of a scarred and naked female body sewn together with a single dotted line Readers enter the text by clicking on this body and following its 'limbs' or links to different sections of the text.

Giresunlu builds from Haraway's cyborg because the cyborg goddess goes beyond "offering a way out from [the] duality" and instead provides how spirituality and technology work together to form a complex and more accurate representation of women.

Although he is able to conquer some of his foes and regain his "manhood", the gender lines do not become established again because there is no one to share and implement the gendered power structure with.

Table of Contents

Robert's transformation presents "an existence in which acceptance and meaning are released from the limitations of patriarchal dualisms", which aligns with Haraway's cyborg. Wajcman concludes her chapter "Send in the Cyborgs" on a critical note, claiming that "Certainly, Haraway is much stronger at providing evocative figurations of a new feminist subjectivity than she is at providing guidelines for a practical emancipatory politics.

Katherine Hayles questions the validity of cyborg as a unit of analysis. She says that because of the complicated situation of technology and media, "cyborg is no longer the individual person — or for that matter, the individual cyborg — is no longer the appropriate unit of analysis, if indeed it ever was.

Campbell argues that "in spite of Haraway's efforts to move beyond traditional Western dualisms and offer a new hope for women, and by extension a of humanity and the world, what she in fact offers is a further legitimation for downloading into the not so new American civil religion of high technology.

The sonographic fetus, as posited by scholar Heather Latimer, "is publicly envisioned as both independent of [its mother's] body and as independent of the sonographic equipment used to read this body.

We know that fetal images are depictions, yet the sonogram invokes a documentary-like access to fetuses that makes it easy to ignore this, which in turn can limit the authority and agency of pregnant women.

Publication history[ edit ] Haraway began writing the "Manifesto" in to address the Socialist Review request of American socialist feminists to ponder over the future of socialist feminism in the context of the early Reagan era and the decline of leftist politics.Harriet Carter. Nares 1.

Yale University Press. Pignarre and Stengers affirm on-the-ground collectives capable of inventing new practices of imagination, resistance, revolt, repair, and mourning, and of living and dying well. Single vision produces worse illusions than double vision or many-headed monsters.

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